This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. 97 fps. Maximum quality means ProRes 422 HQ, which eats up 735Mbps which equals. Really an underrated format though, capturing that oversampled video directly. There is no easy way to recommend best settings for certain videos, try, try, and try again is the way to go. modes. And external BRAW is less accurate (in terms of White Balancing) compared to internal BRAW from Blackmagic cameras. Internal Recording. FYI ProRes is not a lossless codec. ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80 ProRes 422 -. 709 is of course what most filmmakers are already well versed in, whereas. It delivers 12-bit raw data at a rate of 80-140 MB/s. ProRes accepts either a fixed bitrate with -b:v, or you can specify the profile, which should be a value between 0 and 3, where the bit rates are chosen according to the profile. You can render and export faster with ProRes RAW than you can with. There's a difference mainly in the low bitrate (targetting. 97 fps. 97 fps のソー スで約 147 Mbps です。 • Apple ProRes 422 LT：Apple ProRes 422 より圧縮率の高いコーデックで、データレートは約 70 % で、ファイルサイズは 30 % 小さくなっています。*Selectable bitrate will be changed depends on the setting. Number of simultaneous 4K streams ProRes RAW also supports accelerated reduced-resolution decoding Apple ProRes. Apple ProRes 422 is approximately 147 Mbps at 1920 x 1080 and 29. DPX, or any other combination, you’ve come to the right place. Adobe Community. Set the Format drop-down menu in the Queue panel to H. For example, ProRes HQ for 1080p at 29. Maximum Bitrate: 16. While Constant Bitrate is a surefire setting, to make sure the file sizes and quality will remain as advertised, it may cause issues when the footage being captured could do without the extra compression, ensuring that all details of a busy scene are clear. 4K, on the other hand, requires close to 226GB of storage—almost 4GB per minute. Bitrate Comparison at 4096 x 2160 / 24p. Also, if I export that same file from Elements, it continues to have the same heavy distortion after export. The $600 Atomos Ninja V is one of the best as it unlocks the maximum bit rate and bit depth from your camera’s video signal. Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor,. Apple ProRes 422 HQ - 117. About Apple ProRes. Variable bitrate encoding; Normal 147 Mbit/s and High-Quality 220 Mbit/s and ProRes (LT) 100 Mbit/s as well as ProRes Proxy for HD 45 Mbit/s for HD resolution at 60i; Normal 42 Mbit/s and High-Quality 63 Mbit/s for SD resolution at 29. ProRes 2020. ProRes target data rates; Dimensions: Frame Rate: ProRes 422 LT: ProRes 422: ProRes 422 HQ: UHD 3840 x 2160: Mb/s: GB/hr: Mb/s: GB/hr: Mb/s: GB/hr: 24p: 328: 148: 471. 4K 120p, 6. The X-OCN LT has a lower bitrate even when compared to ProRes 422. Footage by Neumann. Whatever is it, you need to get it to ~34Mbps to get a file of that duration to be 1GB. Hints that he's using the ProRes Quicktime codec is there aren't any handles for bitrate control. However you can squeeze the crap out of an H. Don´t use ProRes 422 HQ, use ProRes 422 LT for YT uploads. It can shoot H. To get more documentation of the libvpx options, invoke the command ffmpeg -h encoder=libvpx, ffmpeg -h encoder=libvpx-vp9 or vpxenc --help. At 4K (4096 x 2160) it registers 1697 Mbps which equals 764 GB/hour of 4K video footage. AVC and HEVC usually do not do that but use variable bitrate. Thanks to a filmmaking app, we now know the bitrate when shooting in maximum video quality in the iPhone 13 Pro. H264 must be decoded based on the frame before and after the current frame to playback. S-log 3 ProRes 422 HQ Footage by Neumann Films. Don´t use ProRes 422 HQ, use ProRes 422 LT for YT uploads. ProRes supports different data rates and different resolutions (from SD to Ultra HD). Quality Q0 and Q5, Constant Bitrate 3:1, 5:1, 8:1, and 12:1. I use a Nikon Z6, special HDMI settings, and an Atomos Ninja Star to achieve this. 1. Advanced Settings. This is 3840x2160 ProRes 444. For best quality, shoot in 4K with a frame rate of 24fps. 264 File Type: mp4. The setting for ProRes resolution is set to 2K (17:9) or HD, and you cannot change it. The lowest-bitrate variation of the ProRes codec, intended for use in editing software as a. To record a ProRes video, tap ProRes in the Camera app, then record your video. Why ProRes is so great, is, Intel standard SSDs that are inside your computer, you. Of course, it took 6x longer to encode!Hello! I'm trying different settings to set dual PC 4k60 gameplay recording. Apple ProRes 4444 XQ and Apple ProRes 4444 support image sources up to 12 bits and preserve alpha sample depths up to 16 bits. Some banding and blocking. Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. This isn’t all that surprising as ProRes HQ ups the bitrate again to around 700 Mbps. 265, however encode times will be much longer! That would let you knock another 25-50% off that bitrate though. Apple ProRes White Paper (2022)Re: ProRes with Constant bitrate. The format first emerged way back in 2007 and has since made it into many professional workflows. 97 fps. Overall bit rate : 18. afaik, premiere doesn't let you choose the chroma subsampling. 63 MB/s Apple ProRes 422 LT - 54. You will need to restart the editor afterward. 264. Suddenly ProRes was the go-to capture format that delivered low compression, high resolution, high bit depth images straight into post-production in what had quickly become the preferred format for many post facilities. AAC for Audio Podcasting. Bitrate Encoding: VBR, 2 pass. ProRes RAW also provides maximum flexibility for adjusting the look of your video while extending brightness and shadows. The bitrate is around 150mbps. Despite the additional computational demands of raw video editing, ProRes RAW brings to raw video the same first-rate performance and ease of editing that ProRes has brought to conventional video. After choosing a device or format, the resolution, frame rate, frame size, bit rate, and bit/pixel would be set as the default. FOR OLDER SYSTEMS. Apple ® ProRes. The 2nd being a much simpler. the same though. Dec 15, 2021. All these codecs beat the bitrate you have listed with the H. 2K up to 30 fps, and ability to record 10-bit 4:2:2 ProRes internally — all for less than $2,500 — make it a competitor with budget cinema cameras. The SD Memory Card UHS-II V90 supports. You can render and export faster with ProRes RAW than you can with other raw formats. 26. . When I want more detail : ProRes 4k60 rec709 When I plan to edit the color later: ProRes 4k30 rec2020 Numbers: I also wanted to post some bitrate values from both the camera app and filmic pro. But. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. It’s called ProRes 4444 XQ and it’s a mother-scratching beast. Codec: Short for coder decoder, a codec is the recipe for how the data in your video is compressed. It will not correct all artifacts - moire, banding (output is still 8bit). Media Info still showed it as ProRes422 HQ, and I can't tell the difference in quality. Like the existing ProRes codec family, ProRes RAW is designed for speed. All the Atomos 5″ monitors look pretty good and have an excellent operating and menu system. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). That'll take 12-36x longer than H. Apple ProRes is a variable bitrate codec, therefore a longer recording time than initially indicated on the camera may be possible. 265 using Apple Compressor. 88 MB/s Apple ProRes 422 - 78. And it's a range because of its variable bit rate, so that's the approximate bit-rate on normal images. While the macroblocks in H. All Apple ProRes codecs support any frame size (including SD, HD, 2K, 4K, 5K, and larger) at full resolution. Drives can have much faster write rates for the first few hundred MB of a given write, but then drop to their typically slower, sustained write speed. When you connect proxies, that will automatically engage, and you'll notice a MASSIVE performance boost in Premiere. The following framerates and resolutions are available: 5. 640 x 480 for 4:3 content. When talking about compression, it’s vital to understand the role of bitrate. 63 MB/s Apple ProRes 422 LT - 54. I'm very interested in knowing what type of compression black magic. Here you can export in ProRes, which minimizes compression. 264/H. 264 format, it shows up with diagonal lines distorting it. So if you’ve got the time, upload the best video you’ve got. (the general Topaz best practice guidelines if you want to edit a video. S-log 3 ProRes 422 HQ Footage by Neumann Films. Depending on your computer’s capacity, you should also experience faster export times with Studio compared to the mobile app. ProRes started to take over the production side after the ARRI Alexa was introduced in 2010 with a built-in ProRes recorder. Here's a set or SSIM tests done on Prores vs h. 4 SUP 7. It will put the bitrate at 20 (which you can't change) but the file will be a lot smaller. 7K (5728 x 3024) up to 30fps ProRes 422 or 422 HQ – bitrate between 1,016 and 1,903 MbpsProRes RAW is here. Also, 4K 30p requires an iPhone with 256GB, 512GB, or 1TB of storage. ProRes 422, and ProRes 422 LT. 10-bit ProRes up to 422 HQ, approximately 880 Mbps is supported. As for the size, the lower resolution ProRes Proxy options are about 36Mbps bitrate. But that's 4K; the bitrate you mention for Prores Proxy and LT. 264 for example) with a super high bitrate. If your source file is in a different codec (say, h. Everyone knows how to handle them. Showing results for Show only | Search. H. If you are capturing in a cropped sensorSetting up ProRes RAW on the LUMIX S5IIX and LUMIX S5II takes no time at all. ProRes renders the face much better – right+click and open image in new tab to see it full screen. If you don't care too much about how your proxies look. In general, a lower keyframe value results in a higher-quality video but may increase file size. Huge files and not the best format out there, but I can always downgrade it with a video edit software later. Looking at the ports, you get the remote, mic,. This is 3840x2160 ProRes 444. Images are recorded directly to AtomX SSDmini or other. Since the color space of Standard Definition tends to be 4:1:1--formats like H. From empirical testing we've found that a qscale of 9 - 13 gives a good result without exploding the space needed too much. That’s happened to me. It also offers exposure tools like. However, there are six versions of ProRes, each of which vary in bit rate (and file size). A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). ProRes is a video file format, or “codec”, developed by Apple in 2007. Aluminum Alloy. will do the trick. And basically the “variable bit rate” choices are 422 proxy-> 4444 XQ. ago. Recording 4K ProRes files requires 4K and above formats in 17:9. The QuickTime at the top of the drop down is ProRes. Prores is a 'variable bit rate codec'. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. ) and sets the bitrate settings (at the bottom) to 10 – 12 Mbps. 1MP APS-C X-Trans Stacked BSI Sensor. HEVC/H. The 1080p bitrate of 9,783 is obviously pretty high. However, while this camera has many great features, it has some flaws and frustrations. There is no easy way to recommend best settings for certain videos, try, try, and try again is the way to go. ProRes is a video codec, like H. So, there's no option with ProRes to set or dial in the bit rate like there is with H264. Turn on suggestions. All ProRes 422-variants adopt YUV Chroma subsampling of 4:2:2 at 10-bit color depth. Now, close the "Settings" app and. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. Hi, and thanks for this great tool I made some prores in LT, 422, and 422 HQ, and I'm really surprised by the bitrate (1920x1080 50i) : LT : between 123 and 165 Mbits/s 422 : between 230 and 288 Mbits/s 422 HQ : between 336 and 397 Mbits/s But. 98 H. “Constant BitRate” functions the same as any other codec by placing a cap on the maximum data rate of incoming footage from the sensor. LATEST. But I'm not sure you can really see a difference with your own eyes. The low bitrate means that the files are much smaller, so you can use fewer/smaller/cheaper hard drives, simplifying your workflow. H265 is a masterpiece and revolutionary for the internet as a whole. Set your project settings to the format you want to export. Plus depending on the bitrate you may get banding or other artifacts. ProRes 422 will probably do just fine, but if you have lots of storage space, then going up to ProRes 422 HQ will have a slight edge. The following chart is from the ProRes White Paper that Vishu linked to: 1920-by-1080 Apple ProRes 422 HQ at 29. 5 GigaBytes. Match Source - Adaptive Medium Bitrate. I have said it before, and I will say it again. Display Dimensions. Log ProRes clip in a sequence with Maximum Bit Depth off. It is not just 12 bit. ProRes LT retains better overall image quality compared to ProRes Proxy as it includes every pixel in the clip and it doubles the bitrate of the latter. cancel. Performance may vary based on system configuration, media type, and other factors. The higher ProRes standards. The headline specifications were that it could record 8K 60p RAW internally, 8K up to 30p internally, 4K UHD ProRes 422HQ up to 60p, and it didn’t have any overheating issues. I’ve used this version of the codec in the past for multi-cam editing on a late 2007. 265, LongGOP or All-I, 4:2:0 or 4:2:2, and 8 bit or 10 bit. h. More Data Always Means Better Video Quality. 4K and Beyond – Video Data Rates. 8:1. Further information is available in the libvpx API documentation. As this is hard-wired, it's what you'll get from Premiere Pro, After Effects, Final Cut Pro, Resolve. Apple says a one-minute 10-bit ProRes video is approximately 1. Cineform is about 235 Mbps from what I understand and is closer to Prores 4444 (might be overkill) DNxHD 100/115/145 @ 8-Bit+ (Keep it in the SQ class of codecs for 145 Mbps or lower) 1 Upvote. If you are not happy with the default, you can set them to the ones you prefer. 8). 00p, 25p, and 29. 265 uses coding tree units or CTUs. 7-Stop In-Body Image Stabilization. Recording clips in Apple ProRes 4444 XQ preserves the full sensor quantization in logarithmic encoding, with the same range of colors available in ARRIRAW. 6 GB. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p30. Macroblocking is due to low bitrate, so in principle you should have less of that using Prores, which has a very high bitrate. With a future software update, the Z9 will be able to record 8K up to 60p in 12bit RAW internally in either Nikon’s own flavor of RAW or ProRes RAW HQ. The bitrate of Prores HQ in 4K is just over 700Mbps. This preset matches your output video to the core source settings (resolution, frame rate, etc. If you carefully read the ProRes White Paper you can see why this is true. 4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps . 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. Weight. You could experiment with h. ), and frame rate (23. So, there's no option with ProRes to set or dial in the bit rate like there is with H264. mp4 -c:v prores -profile:v 0 output. The data rates vary based on codec type, image content, frame size, and frame rate. No banding. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. Scroll down and select "Camera. The ProRes RAW HQ is 3-to-1 compression, and the ProRes RAW, the base one, is 5-to-1. The actual bit rate may be slower than the selected value depending on the subject. 265 formats. 97p from the Canon R5. I really wish Blackmagic would add a more compressed codec like a high quality h. I tried changing "-c:v prores_ks" to "-c:v prores", and the bitrate was substantially reduced to just about 1000Mbps. Since the color space of Standard Definition tends to be 4:1:1--formats like H. I plan on shooting hundreds of hours of footage with this camera, and I would like to know which settings are good for different situations so that I don't unnecessarily go through hard drives like crazy or. 5Mbps, different resolutions, file sizes between 10-30MB…no change. Y si le. Apple ProRes 422 LT. Bitrate. Source: X-OCN White Paper Bitrate Comparison at 8192 x 4320 / 24p Bitrates of X-OCN vs RAW and ProRes. Aluminum Alloy. Look at this quick image from a quick test I did. By default, Premiere Pro includes a few adaptive Match Source presets for the H. g. Check the Box, Render at Maximum Depth----- Ok, I have a Footage that was shot with 4k Sony. 88 120. Target Bitrate: 14. Note the comparison to ProRes. The bit rate for ProRes movies is set automatically according to the format chosen and the frame size and rate. ProRes 422 Proxy. If you shot using H. So we’ve scoured the Internet and brought them all into a single page. ProRes RAW expands the bit depth capability up to 16-bit sample per image channel (beyond the 10-bit limit for ProRes 422 and 12-bit for ProRes 4444) and. ProRes is a variable bit rate codec. The ProRES RAW created by S5 HDMI export into Ninja V is a 5. 1. The term codec simply comes from the shortening of two words: coder and decoder (co/dec). DPX, or any other combination, you’ve come to the right place. 26 GB. 1. 25 MB/s. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. ProRes, as a editing codec, uses different pixel formats. 264 isn't the right tool for multicam and your expectations for low bitrates are out of line. In the ProRes RAW White Paper (dated November 2020 as of this writing but updated frequently), Apple states that the ProRes RAW family is based on the same principles and underlying technology as existing Apple ProRes 442 Family and Apple ProRes 4444 Family codecs, most notably support for intraframe (I-frame) only and variable bit rate. But it looked to me like the DNxHD was essentially equivalent to the ProRes HQ setting in quality and bitrate, with no equivalent to regular ProRes, LT, or Proxy ProRes settings. To use it, you must enable it's plugin. Not bad at all. Bitrate: 13-15Mbps Codec: H. ProRes Proxy. b (target-bitrate) ProRes codecs support SD, HD, 2K, 4K, and 5K at full resolution. No banding or blocking. り高くなっています。Apple ProRes 422 のターゲットデータレートは、1920x1080、29. 264 codec. 94 60 119. avs -r 23. ProRes is a codec technology developed by Apple for high-quality, high-performance editing in Final Cut Pro. In the case of [ N-RAW 12-bit (NEV) ], the bit rate varies with the option selected for [ Video quality (N-RAW) ] in the video recording menu. I knew that at some lower bitrate, H. Why Prores is spectacular. g. Data rates vary based on codec type, image content, frame size, and frame rate. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT). Pin. 95 48 50 59. Maximum Recommended Video Bit Rate: 50Mbps* Audio Support: AAC audio (CBR/VBR). If you turn ProRes off in the Camera app, the format of the video will default to the format you set under Camera Capture in. 25 MB/s . The headline specifications were that it could record 8K 60p RAW internally, 8K up to 30p internally, 4K UHD ProRes 422HQ up to 60p, and it didn’t have any overheating issues. Vashi Nedomansky, ACE. High-quality codec and de facto industry standard. ProRes has five set compression sizes in the family. 940 FPS Encoded date : 2023-11. It's those settings or nothing. La misma app Cámara indica, cuando activamos el modo ProRes, la. 97fps comes in at 220 Mbits/second. Think of it like this, pro res contains information on everything single frame. 8Easy Online Video Size Calculator [4K Included] How-To Guide: 1. Apple ProRes 422 HQ - 117. For instance, if there are many movements in a video, the codec assigns the maximum bitrate. The ProRes files tend to be a bit smaller (particularly 422) than the ALL I. , YouTube, OTT, broadcast) then at that. The file will be large, but significally smaller than HQ but not as small as H. Solved: We are exporting to ProRes through AME. 265” codec under the “Mp4” format on the “Deliver” page if you have time constraints. This tool is intended to give an indication of the amount of space a given video format will take up on disk. Another thing to note is that Solid state drives (SSDs like the Samsung 860. 264 for Video Podcasting. But, it can go up a bit or down a bit, in that range. Studio for >=4k mj2 – – yes Kakadu. It can shoot ProRes 422 Lt, 422, and 422 HQ internally. Bit Rate File Size. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. The slight issue here, as we already know,. 2K/30P and 4:2:2, 10-bit h. Generally, a bitrate between 10,000-20,000 kbps (kilobits per second) is recommended for high-quality recordings. In an ideal world, if by “better” we mean “better picture quality for a given bitrate,” H. Tap and enable the toggle for Apple ProRes at the bottom of your screen. According to Sherif’s analysis, ProRes RAW is more… real raw than BRAW. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. The Z9 of course licenses ProRes from Apple (422 and ProRes RAW). In there, you can adjust the various settings including Sample rate and Bitrate. The bit rate for ProRes movies is set automatically according to the format chosen and the frame size and rate. Cineform is an excellent alternative, but a bit slower on Macs. 2K is expected to be around 700 Mbit/s, which is 1/3 of Arriraw Open Gate’s 2. , only using "I" frames. The RAW files are optimal for HDR finishing, or for greater flexibility in SDR (Rec. 345. The actual bit rate in a ProRes recording varies depending on the recording format (FPS & resolution) and a scene's content. so your first impression would be to match the bitrate and that may get you close, but its doing a little lossy compression even with the same bitrate so you always want to go a little higher with exports like +20%. Для использования кодека Apple ProRes 4444 XQ необходима ОС OS X 10. Any ideas? - 11112615To shine, it needs a high Bitrate. (However, 4444 XQ is a newer format and isn't as widely supported as ProRes 4444 -- yet). So TLDR; h265 with GOPs more than 1 frame apart will always require higher bitrate ProRes files to retain the image quality of the uncompression of h265. For bitrate settings that suits your footage you have to try different settings. ProRes codecs support SD, HD, 2K, 4K, and 5K at full resolution. As for viewing ProRes files, I can only assume you are on a pc since Macs all play ProRes (provided the drive is fast enough) without any problems at all. (It's also a big part of why ProRes is smoother to edit with; each can frame be decoded without having to decode any other frames first. Apple ProRes 422 LT is the third-highest data-rate version of the ProRes 422 codecs. 2. YouTube used to publish settings for people with Enterprise class connections - the 1080 size was 50Mb/s (They suggest 8Mb/s for 1080 as a minimum. But, it can go up a bit or down a bit, in that range. 7K 60fps 10-bit video, a wide range of anamorphic modes, as well as internal Apple ProRes 422 recording. If we wish select ProRes 422, LT profile we should use '-profile:v 1' (because ProRes 422, LT profile has the number 1) How Keep BitRate. Apple ProRes 4444 XQ features a target data rate of. Then there's the addition of a new, F-Log 2 gamma curve. It took some playing around to find the. It seems to sacrifice mostly fine detail rather than colour fidelity. URSA Mini Pro 12K OLPF is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. (The smallest Cineform I could get was more like 100Mbps) If you wanted to actually calculate the size you can use the equation: File Size = Bitrate * Time, where the time is seconds and the bitrate is Mbps. Can’t find any details like this for Instagram though. Press the down arrow to the video mode, then press right. After I’m done, I archive the ProRes footage by re-encoding it as 10-bit h. Upvote. However, it must be taken into consideration that ProRes RAW is not natively available in Resolve. It's considered "visually lossless" but that's not quite the same thing. 26x and MPEG standards. What is the resolution and bitrate of low, medium and high resolution?I'm using the prores_ks codec and following the intructions on the man page this is my command, testing on a QTRLE encoded file with 8-bit RGBA: ffmpeg -i '. Use. Combined with the A7S III’s notable low light performance, users. The average bitrate is 934Mbps. 3, MacOS 12. 264 (and 265) are interframe codecs that. ProRes RAW is here, a new high-efficiency codec that enables instant playback and editing without the need for any conversion. Experiment with different bitrates to find the balance between. 264 DV high quality the level is set to 3. Bitrates of X-OCN vs RAW and ProRes. The CODEC helps determine the quality of the captured content, but we need to know the bit depth and bit rate to have a better understanding of file. Report. This codec is perfect for environments where storage capacity and data rate are most important. Apple ProRes ProRes codecs take full advantage of multicore processing and feature fast, reduced-resolution. In-camera de-mosaic: faster playback and rendering One of the main strengths of the Blackmagic RAW is the ability to process all the de-mosaic (the process which turns the sensor data into image) calculations inside the camera instead of using the computer’s CPU, which leads to.